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"The Kiss" By The New Solarism : A Deep Dive Into Emotion And Solitude

  • Writer: Wr. Majesty
    Wr. Majesty
  • Jul 29
  • 1 min read
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The New Solarism’s fourth album, The Kiss, is a deeply intimate and evocative exploration of emotion, born from a moment of global stillness and personal introspection. Spearheaded by Leipzig-based violinist and composer Izabela Kałduńska, the album is a transformation of a pandemic-era online theatre collaboration with Berlin writer Tomas Blum into a fully realized musical work. What began as a remote theatrical experiment during lockdown has evolved into a sonic meditation on the human condition.



Released on 28 March 2025, "The Kiss" spans ten original tracks, each bearing the name of an emotion and distilling the essence of a fractured world through minimalist instrumentation. Kałduńska utilizes merely her violin, with an array of subtle effects and loops that create a soundscape, that is stark and lush, firmly rooted in classical tradition yet rather loosely constricted by the contemporary compositional style.



The album's raw honesty brings to mind the introspective aesthetics of Nils Frahm and Arvo Pärt. Calm tracks such as "Peace" and "The End" have a compositional beauty that carries with it waves of isolation, yearning and desperate hope for reconciliation. Every note is deliberate, an exposed fragment of Kałduńska's inner world.





More than just an album, a conversation between past and present, sound and silence, individual and society is "The Kiss". As The New Solarism extends the Western German tour, this release stands as a reminder, nevertheless, of music’s role to document, alter, and heal. It is a masterwork that translates emotion and a beautiful, haunted testimonial of resilience and artistic integrity.




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