A Galactic Leap: Exploring Zachary Mason’s “5…4…3…2…1…”

With “5…4…3…2…1…”, Zachary Mason launches listeners into an imaginative sonic universe where creativity, curiosity, and storytelling collide. Rather than simply delivering a themed collection of songs, Mason uses the EP as a vehicle for world-building, crafting an experience that feels cinematic in scope and deeply personal in tone. Released on October 3rd, 2025, the project marks a bold artistic leap for the Guildford-based musician — his most expansive vision since his debut album Songs. What begins as a playful sci-fi premise quickly unfolds into something richer: a meditation on departure, survival, and what it means to leave a fractured world behind. Mason balances eccentric humor with genuine emotional weight, proving that even the most fantastical stories can carry profound resonance.

The three-track journey opens with the title track, “5…4…3…2…1…”, a high-energy blast-off that sets the EP’s adventurous tone. Propulsive rhythms, psychedelic guitar textures, and a sense of cinematic acceleration pull listeners straight into the narrative as humanity flees a dying Earth in search of a new beginning on Mars. The second track, “The Funky Martians,” shifts into playful territory as the story expands into an unexpected and humorous encounter with hostile Martians. Mason’s talent for imaginative twists shines here — the track is quirky yet musically intricate, balancing experimental edges with infectious accessibility. The closing piece, “Earthsick,” takes a more reflective turn. As the survivors grapple with homesickness and regret, Mason grounds the EP’s cosmic concept in something tender and deeply human. Humor lingers in the background, but introspection leads, highlighting his ability to weave emotion into even the most outlandish narratives.

Supporting the EP’s vivid storytelling is a strong collaborative foundation. Drummer Nate Barnes (Rose Hill Drive) brings dynamic force to the project, while John Thomasson (Little Big Town) provides bass on the first two tracks. On “Earthsick,” Mason debuts his own keyboard-driven bass work, adding a new layer to his evolving musicianship. The entire EP benefits from the polished touch of Derrick Lin, who handles mixing and mastering with finesse. It is also worth recognizing the creative partnership behind the release; Mason’s dedication, imagination, and openness to collaboration made the production process both inspiring and deeply rewarding. Bold, inventive, and wonderfully eccentric, “5…4…3…2…1…” solidifies Mason as one of the UK’s most versatile emerging artists — a storyteller whose vision reaches far beyond the stratosphere.